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Your search has returned 212 books from ACLS Humanities E-Book
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c1995
The black cow's footprint: time, space, and music in the lives of the Kotas of South India
c2005
"Silk and bamboo" music in Shanghai: the jiangnan sizhu instrumental ensemble tradition
c1995
Strauss, Also sprach Zarathustra
1993
Bright star of the west: Joe Heaney, Irish song-man
c2011
Bach, the Goldberg variations
c2001
The characteristic symphony in the age of Haydn and Beethoven
c2002
Montverdi: Vespers (1610)
c1997
Haydn's "Farewell" symphony and the idea of classical style: through-composition and cyclic integration in his instrumental music
c1991
The city of musical memory: salsa, record grooves, and popular culture in Cali, Colombia
c2002
Stravinsky: Oedipus rex
c1993
Running with the Devil: power, gender, and madness in heavy metal music
c1993
Big sounds from small peoples: the music industry in small countries
1984
Musica getutscht: a treatise on musical instruments (1511)
c1993
Nationalists, cosmopolitans, and popular music in Zimbabwe
c2000
Wagner's melodies: aesthetics and materialism in German musical identity
2013
Introduction to the art of singing
c1995
Ruth Crawford Seeger: a composer's search for American music
2000
Music and the origins of language: theories from the French Enlightenment
c1995
Thayer's life of Beethoven, Vol. 1
1967
Thayer's life of Beethoven, Vol. 2
1967
Haydn, The Creation
c1991
A music for the millions: antebellum democratic attitudes and the birth of American popular music
c1984
Stravinsky and the Russian traditions: a biography of the works through Mavra, Vol. 1
c1996
Stravinsky and the Russian traditions: a biography of the works through Mavra, Vol. 2
c1996
Music in society: a guide to the sociology of music
c1987
Beethoven, Violin concerto
c1998
Bamboula!: the life and times of Louis Moreau Gottschalk
1995
Johann Sebastian Bach: his work and influence on the music of Germany, 1685-1750, Vol. 2
2012
Johann Sebastian Bach: his work and influence on the music of Germany, 1685-1750, Vol. 1
2012
Johann Sebastian Bach: his work and influence on the music of Germany, 1685-1750, Vol. 3
2012
Music in other words: Victorian conversations
c2004
Musicology and difference: gender and sexuality in music scholarship
1995
Schenker's interpretive practice
c1997
Dvořák cello concerto
c1999
Mozart, the "Jupiter" symphony, no. 41 in C major, K. 551
c1993
Mashed up: music, technology, and the rise of configurable culture
c2010
Romani routes: cultural politics and Balkan music in diaspora
c2012
Music, Ritual, and Falasha History
1989
Free composition: volume III of New musical theories and fantasies = Der freie Satz
2001
Celtic music: a complete guide
2001
Highbrow/lowdown: theater, jazz, and the making of the new middle class
c2009
American popular music and its business: the first four hundred years
1988
The social status of the professional musician from the Middle Ages to the 19th century
c1983
Masqued mysteries unmasked: early modern music theater and its Pythagorean subtext
c2000
The art of noises
c1986
Berlioz, Roméo et Juliette
c1994
Elgar, Enigma variations
c1999
Britten's musical language
c2001
Music and musical thought in early India
1992
Verdi, Requiem
c1995
The romantic generation
1998
Monteverdi's last operas: a Venetian trilogy
c2007
Antonio Salieri and Viennese Opera
c1998
Motives for allusion: context and content in nineteenth-century music
c2003
Hugo Riemann and the birth of modern musical thought
c2003
Women, the recited Qur'an, and Islamic music in Indonesia
c2010
Dusty!: queen of the postmods
2009
New musical figurations: Anthony Braxton's cultural critique
c1993
On criticizing music: five philosophical perspectives
c1981
Berg, Violin concerto
1991
Messiaen, Quatuor pour la fin du temps
c1998
Jazz, rock, and rebels: cold war politics and American culture in a divided Germany
c2000
Music and culture in Italy from the Middle Ages to the Baroque: a collection of essays
1984
Unplayed melodies: Javanese gamelan and the genesis of music theory
c2004
Listening to the sirens: musical technologies of queer identity from Homer to Hedwig
c2006
Making music modern: New York in the 1920s
c2000
A gift of madrigals and motets, Vol. 1
c1972
A gift of madrigals and motets, Vol. 2
c1972
Ornamentation and improvisation in Mozart
c1986
Concert life in Haydn's Vienna: aspects of a developing musical and social institution
c1989
The Latin beat: the rhythms and roots of Latin music from bossa nova to salsa and beyond
c2003
Saying something: jazz improvisation and interaction
c1996
Bounce: rap music and local identity in New Orleans
c2012
Emotion and meaning in music
1961
William Billings of Boston: eighteenth-century composer
c1975
Modal subjectivities: self-fashioning in the Italian madrigal
c2004
Feminine endings: music, gender, and sexuality
2002
Apollo's lyre: Greek music and music theory in antiquity and the Middle Ages
c1999
Musical form in the age of Beethoven: selected writings on theory and method
c1997
Schumann, Fantasie, op. 17
c1992
The compositional process of J. S. Bach: a study of the autograph scores of the vocal works, Vol. 1
1972
The compositional process of J. S. Bach: a study of the autograph scores of the vocal works, Vol. 2
1972
The Orpheus myth and the powers of music
c2009
The uncrowned king of swing: Fletcher Henderson and big band jazz
2005
Danzón: circum-Caribbean dialogues in music and dance
c2013
Transnational encounters: music and performance at the U.S.-Mexico border
c2011
Beautiful monsters: imagining the classic in musical media
c2008
Music in Renaissance Ferrara, 1400-1505: the creation of a musical center in the fifteenth century
2009
Cultivating music in America: women patrons and activists since 1860
c1997
Music and the exotic from the Renaissance to Mozart
2015
Whose Spain?: negotiating "Spanish music" in Paris, 1908-1929
c2013
A humanistic philosophy of music
c2006
Generalized musical intervals and transformations
2007
Musical form and transformation: four analytic essays
2007
Frontier figures: American music and the mythology of the American West
c2012
Modernist mysteries: Perséphone
c2012
Something to live for: the music of Billy Strayhorn
2002
Compositional theory in the eighteenth century
c1992
