Rachel Opitz, Marcello Mogetta, and Nicola Terrenato (editors), written and crafted with Tyler Duane Johnson, Antonio F. Ferrandes, Laura Banducci, Francesca Alhaique, Laura Motta, Shannon Ness, Jason Farr, Samantha Lash, and Matthew Naglak
Since 2009 the Gabii Project, an international archaeological initiative led by Nicola Terrenato and the University of Michigan, has been investigating the ancient Latin town of Gabii, which was both a neighbor of, and a rival to, Rome in the first millennium BCE. The trajectory of Gabii, from an Iron Age settlement to a flourishing mid-Republican town to an Imperial agglomeration widely thought to be in decline, provides a new perspective on the dynamics of settlement in central Italy. This publication focuses on the construction, inhabitation, and repurposing of a private home at Gabii, built in the mid-Republican period. The remains of the house provide new information on the architecture and organization of domestic space in this period, adding to a limited corpus of well-dated examples. Importantly, the house's micro-history sheds light on the tensions between private and public development at Gabii as the town grew and reorganized itself in the mid- to late-Republican period transition. Published in digital form as a website backed up by a detailed database, the publication provides a synthesis of the excavation results linked to the relevant spatial, descriptive, and quantitative data.
James P. Turner
In 1965 the drive for black voting rights in the south culminated in the epic Selma to Montgomery Freedom March. After brutal state police beatings stunned the nation on "Bloody Sunday," troops under federal court order lined the route as the march finally made its way to the State Capitol and a triumphant address by Dr. Martin Luther King, Jr. But within hours klan terror struck, claiming the life of one of the marchers, Viola Liuzzo, a Detroit mother of five. Turner offers an insider’s view of the three trials that took place over the following nine months—which finally resulted in the conviction of the killers. Despite eyewitness testimony by an FBI informant who was riding in the car with the killers, two all-white state juries refused to convict. It took a team of Civil Rights Division lawyers, led by the legendary John Doar, to produce the landmark jury verdict that klansmen were no longer above the law. This is must reading today, as the voting rights won in Selma come under renewed attack.
Edited by Una Chaudhuri and Holly Hughes
We all have an animal story—the pet we loved, the wild animal that captured our childhood imagination, the deer the neighbor hit while driving. While scientific breakthroughs in animal cognition, the effects of global climate change and dwindling animal habitats, and the exploding interdisciplinary field of animal studies have complicated things, such stories remain a part of how we tell the story of being human. Animal Acts collects eleven exciting, provocative, and moving stories by solo performers, accompanied by commentary that places the works in a broader context.
Work by leading theater artists Holly Hughes, Rachel Rosenthal, Deke Weaver, Carmelita Tropicana, and others joins commentary by major scholars including Donna Haraway, Jane Desmond, Jill Dolan, and Nigel Rothfels. Una Chaudhuri’s introduction provides a vital foundation for understanding and appreciating the intersection of animal studies and performance. The anthology foregrounds questions of race, gender, sexuality, class, nation, and other issues central to the human project within the discourse of the “post human,” and will appeal to readers interested in solo performance, animal studies, gender studies, performance studies, and environmental studies.