Why We Fight: Prelude to War (1942)

From Brushed in Light: Calligraphy in East Asian Cinema by Markus Nornes

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  • Asian Studies
  • Media Studies
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  • Figure 1.4. America’s two enemies are othered through a calligraphic strategy in the propaganda classic Why We Fight: Prelude to War (1942), using blackletter for the Nazis and faux calligraphy for the Japanese.