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Brushed in Light: Calligraphy in East Asian Cinema
Why We Fight: Prelude to War (1942)
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Figure 1.4. America’s two enemies are othered through a calligraphic strategy in the propaganda classic Why We Fight: Prelude to War (1942), using blackletter for the Nazis and faux calligraphy for the Japanese.
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Why We Fight: Prelude to War (1942)
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From
Brushed in Light: Calligraphy in East Asian Cinema
by Markus Nornes
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Technical Info
Creator(s)
Capra, Frank
Creator Role
director
Subjects
Asian Studies
Media Studies
Related Section
Chapter 1
Citable Link
Citable Link
Rightsholder
Frank Capra
Copyright Status
fair use
File Format
tiff (TIFF EXIF)
File Size
1.52 MB
Width
2050
Height
767
Mime Type
image/tiff
Last Modified
2023-03-11T21:57:33Z
Original Checksum
fbb7f0a5199680afc1a9412f75708a48
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