Scapino and Captain Zerbino, etching
From Introduction: Hoffmann’s Prism
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From Introduction: Hoffmann’s Prism
From Introduction: Hoffmann’s Prism
From Introduction: Hoffmann’s Prism
From Introduction: Hoffmann’s Prism, Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque, and Chapter 2: Tairov-Celionati: Mime-Drama and Kaleidoscopic Commedia
From Introduction: Hoffmann’s Prism
From Introduction: Hoffmann’s Prism, Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque, and Chapter 2: Tairov-Celionati: Mime-Drama and Kaleidoscopic Commedia
From Introduction: Hoffmann’s Prism
From Introduction: Hoffmann’s Prism
From Introduction: Hoffmann’s Prism
From Introduction: Hoffmann’s Prism
From Introduction: Hoffmann’s Prism
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque and Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque and Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque and Chapter 2: Tairov-Celionati: Mime-Drama and Kaleidoscopic Commedia
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque