Your search has returned 23 resources attached to Anti-Heimat Cinema: The Jewish Invention of the German Landscape
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The homecoming scene of Heimkehr (1940)
From Chapter 6
The ending scene of Ich war neunzehn (1968)
From Chapter 6
The fragmentation of urban space in Tunnel 28 (1962)
From Chapter 6
The fragmentation of space in Sterne (1959)
From Chapter 6
The fragmentation of space in Sonnensucher (1957/1958)
From Chapter 6
The opening scene of Ich war neunzehn (1968)
From Chapter 6
Closed windows in Tunnel 28 (1962)
From Chapter 5
Cold War Berlin, Weg ohne Umkehr (1953)
From Chapter 5
The morning after the fire, Die goldene Pest (1954)
From Chapter 4
Generic Heimat imagery in Die goldene Pest (1954)
From Chapter 4
On the beach of Tel Aviv, Lerski 1936-1938, 2
From Chapter 3
On the beach of Tel Aviv, Lerski 1936-1938, 1
From Chapter 3
The destruction of nature, Sprengbagger 1010 (1929)
From Chapter 3
Modernity in nature, Sprengbagger 1010 (1929)
From Chapter 3
Cliché of a provincial scene, Sprengbagger 1010 (1929)
From Chapter 3
Violence in Die Geier Wally (1921)
From Chapter 2
The abusing father, Die Geier Wally (1921)
From Chapter 2
Electricity in the village, Die Geierwally (1940)
From Chapter 2
The morning after, Meyer
From Chapter 1