• Fig. 6. Cai Yan continues her father’s unfinished scholarship in The Daughter of Zhonglang 中郎女 by Nanshan Yishi 南山逸史. Seated in the middle, wearing an official cap as the male clerks do, she hands her writing to the maids to be passed on to the male scribes, observing the Confucian rule of proper separation between men and women. From a facsimile (Wujin: Songfenshi, 1941) of Newly Edited Zaju (Zaju xinbian 雜劇新編, edited by Zou Shijin, ca. 1661).

Nanshan Yishi-Daughter of Zhonglang

From Uncrossing the Borders: Performing Chinese in Gendered (Trans)Nationalism by Daphne P. Lei

Creator(s)
Subjects
  • Theater and Performance
  • Asian Studies:China
  • Gender Studies:Women's Studies
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